It's all there in Where The Streets Have No Name, the song which Eno estimates absorbed over forty percent of the time spent on The Joshua Tree. It remains U2's best-loved, most-bought album, and for good reason. Whilst barely the less interesting sonically, its songs are stronger, more focused and - sod it - more uplifting. But it can also be read as a reassertion of U2's core values over Eno's, the air-punching navvies' slight return. The Joshua Tree would hone TUF's sonic template - resplendently, as the toiled-over remastering vouchsafes. Notwithstanding Pride (In The Name Of Love), it reeked of Eno and Lanois ambient interests, and until the sales rolled in, U2's record label - even Island's notoriously artist-friendly boss Chris Blackwell - had hated it. Their collaboration had already produced 1984's swirling, nebulous The Unforgettable Fire, an album which had seemingly transformed horny-handed navvies into art ponces par excellence. In the spring of 1986, The Edge was ensconced in Danesmoate - a "modest country pile" in a posh Dublin suburb - preparing to begin U2's second album with Eno and his sonic partner Daniel Lanois. I imagine the quartet struck by the relevance of one particular OS conundrum: "Where is the edge?" You can see how it might have enlightened U2, stuck in their mid-'80s pomp-rock rut in the wake of their breakthrough War album. A line has two sides," declares a third, enigmatically. "Do something boring," challenges another. "Change specifics to ambiguities," instructs one. This Oblique Strategies widget squats on my laptop as I write, goading me with its gnomic utterances. Long before bogus business gurus began exhorting their gullible clients to "think outside the box", Eno was telling Talking Heads to "Tidy up". It's a downloadable set of Brian Eno's Oblique Strategies flashcards, a desktop version of the system he invented in 1975 to disrupt conditioned thought-processes and spark creativity. Type into your browser and you're in for a weird treat. Danny Eccleston decides that, as ever, original is best.
Brian eno oblique strategies doc plus#
U2: The Joshua Tree - four new versions of U2's best record: remastered remastered with outtakes CD all the above plus bonus DVD or double-vinyl for sound-heads. For my one I have chosen the MIT License, but if anyone should consider their rights harmed by this choice, please contact me to arrange the necessary updates.Turn on javascript to use the drop-down menus. There are many versions on the net, all released under different licenses.
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Brian eno oblique strategies doc license#
I'm not very sure about which license to distribute this work with. Today I finished reordering it to implement it in my Obsidian system and I thought it was a good idea to distribute it here as well. The file of this repository contains my personal Italian translation of all the original cards, plus others that I have progressively added. In 1988 I first became acquainted with Brian Eno's "Oblique Strategies" and have used them in many of my creations. I have always been fascinated by the relationship between oracular devices like I King or Runes and creative processes. This is my personal version of Peter Schmidt and Brian Eno "Oblique Strategies". Per la mia versione ho scelto la MIT License, ma se qualcuno dovesse ritenere lesi i propri diritti da questa scelta, mi contatti per concordare gli aggiornamenti necessari. In rete ne esistono molte versioni, tutte rilasciate sotto licenze diverse. Non sono molto sicuro della licenza con cui distribuire questo lavoro. Oggi ho finito di riordinarlo per implementarlo in un mio sistema Obsidian e ho pensato che fosse una buona idea distribuirlo anche qui. Il file di questo repository contiene la mia personale traduzione in italiano di tutte le carte originali, più altre che ho progressivamente aggiunto io. Nel 1988 ho conosciuto per la prima volta le "Strategie Oblique" di Brian Eno e da allora le ho impiegate in molte delle mie creazioni. Sono sempre stato affascinato dal rapporto tra dispositivi oracolari genere I King o Rune e procedimenti creativi. Questa è la mia personale versione delle "Strategie Oblique" create da Peter Schmidt e Brian Eno.